Since the birth of photography, it has been taken as ritual for both the photographer and the subject. As Barthes put it, "the photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both." Until the emergence and popularization of mobile internet and smartphones, when everyone could take pictures anytime, anywhere and thus "became a photographer", the ritualistic aspect of photography and the concept of photography studios gradually faded from the public. As a result, the relationship between the photographer and the subject irresistably loosened, yet even disintegrated. However, this does not necessarily mean that smartphones have taken place of cameras. On the contrary, traditional film photography  (including digital pieces) highlights the unique unity and concept of ritual even more. Maleonn and Li Xiaoliang are both "photographic fundamentalist". Their practices have proven that rather than being enamored with a long-lost texture or aesthetic, they are guarding a certain relationship regarding ritual that has already faded. Perhaps for this reason, their photos are always enveloped in melancholy and sentiment.

The Light of Safaring showcases over 70 works from Li Xiaoliang's recent two series, including videos, installations and photography. Over the past decade, Li Xiaoliang has been focusing on screen images with persistent thematic concerns. In his recent works, he explores the other side of various themes, expressing more individual narratives through "safaring" in various natural environments in different countries. The Melting Wax series exhibited in this show interprets inner thoughts through pure imagery, amidst the contrast of black, white and red.

The exhibition will last till August 11, 2024!