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William “Billy” Hart (born November 29, 1940, in Washington, D.C.) is a jazz drummer and educator who has performed with some of the most important jazz musicians in history.
Early on Hart performed in Washington, D.C. with soul artists such as Otis Redding and Sam and Dave, and then later with Buck Hill and Shirley Horn, and was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–1968). Hart moved to New York in 1968, where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul, and played with Eddie Harris, Pharoah Sanders, and Marian McPartland.
Hart was a member of Herbie Hancock’s sextet (1969–1973), and played with McCoy Tyner (1973–1974), Stan Getz (1974–1977), and Quest (1980s), in addition to extensive freelance playing (including recording with Miles Davis on 1972’s On the Corner).
At age 76, Billy Hart works steadily and teaches widely. Since the early 1990s Hart spends considerable time at the Oberlin Conservatory of Music, and is adjunct faculty at the New England Conservatory of Music and Western Michigan University. He also conducts private lessons through The New School and New York University. Hart often contributes to the Stokes Forest Music Camp and the Dworp Summer Jazz Clinic in Belgium.
He leads the Billy Hart Quartet with Mark Turner, Ethan Iverson, and Ben Street, which has released two albums on ECM Records. Hart resides in Montclair, New Jersey.
Ethan Iverson Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game- changing collective with Reid Anderson and David King. The New York Times called TBP “...Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.
A highly inventive saxophonist, Mark Turner has found acclaim with his meticulous, harmonically rich approach to modern creative jazz. Drawing upon the innovative sound of artists like John Coltrane, Warne Marsh, and Joe Henderson, Turner emerged in the early '90s playing his cerebral, classical-influenced brand of jazz. He gained early acclaim on albums like 1998's In This World and 2001's Dharma Days, working alongside such similarly inclined contemporaries as Brad Mehldau, Kurt Rosenwinkel, and Brian Blade. Beginning with 2009's Sky and Country, he built a close association with the ECM label, splitting his time between collaborating with his Fly trio (with bassist Larry Grenadier and drummer Jeff Ballard), and helming his solo dates like the ambitious 2014 quartet album Lathe of Heaven.
Joe Martin is one of the most sought-after bassists on the current New York City jazz scene. Known for his warm sound, facile ear, harmonic flexibility, and lyrical solos, he has performed with a diverse range of musicians including Andy Bey, Vinicius Cantuaria, Bill Charlap, Billy Drummond, Art Farmer, Aaron Goldberg, Jon Gordon, Ari Hoenig, Joel Frahm, Ethan Iverson, Guillermo Klein, Ivan Lins, Lionel Loueke, Bill McHenry, John McNeil, Brad Mehldau, Mingus Big Band, Ben Monder, Jane Monheit, Chris Potter, Kurt Rosenwinkel, Jaleel Shaw, Edward Simon, Mark Turner, and many others. He has performed on dozens of recordings as a sideman and has two critically acclaimed recordings as a leader, "Not By Chance" (Anzic) featuring Chris Potter, Brad Mehldau, Marcus Gilmore, and "Passage" (FSNT) which features Mark Turner, Kevin Hays, and Jorge Rossy. Continuous musical dialogue amongst great musicians is a major source of inspiration for Joe. Composition is another indispensable component to Joe's musical world.