If there is something that defines María Pagés’ multi-faceted creativity, it is her deeply rooted sense of the ethics of culture. She creates because she is convinced that Art – in its essence and the emotion that produces it – is a deep commitment to life and memory, in an organic sense.

 

Her choreographies have overcome cultural differences, convinced, as she is, that the dialogue between different artistic languages can only favor a better comprehension of the organic truths that are to be found in art and life.

 

 

In 1990 María Pagés creates the María Pagés Dance Company and, since then, has produced the following choreographies: "Sol y Sombra" (1990), "De la luna al viento" (1994), "El Perro Andaluz. Burlerías" (1996), "La Tirana" (1998), "Flamenco Republic" (2001), "Canciones antes de una Guerra" (2004), "Sevilla" (2006), "Autorretrato" (2008), "Flamenco y Poesia" (2008), "Mirada" (2010) and "Utopía" (2011). In 2002 she created a choreography for the National Ballet Company of Spain, "Ilusiones FM".

Throughout these years the Company has been present on the world's best and most prestigious stage and has also propelled tours with social objectives in countries such as India, Mozambique, Mexico and Honduras.