Viktoria Mullova studied at the Central Music School of Moscow and the Moscow Conservatoire. Her extraordinary talent captured international attention when she won first prize at the 1980 Sibelius Competition in Helsinki and the Gold Medal at the Tchaikovsky Competition in 1982 which was followed, in 1983, by her dramatic and much-publicized defection to the West. She has since appeared with most of the world’s greatest orchestras and conductors and at the major international festivals. She is now known the world over as a violinist of exceptional versatility and musical integrity. Her curiosity spans the breadth of musical development from baroque and classical right up to the most contemporary influences from the world of fusion and experimental music.

 

Her interest in the authentic approach has led to collaborations with period instrument bands such as the Orchestra of the Age of Enlightenment, Il Giardino Armonico, Venice Baroque and Orchestre Révolutionaire et Romantique. Viktoria has a great affinity with Bach and his work makes up a large part of her recording catalog. Her interpretations of Bach have been acclaimed worldwide and led Tim Ashley to write, “To hear Mullova play Bach is, simply, one of the greatest things you can experience…” in the Guardian. Her most recent disc of Bach Concerti with the Accademia Bizantina and Ottavio Dantone has been highly praised and her recording of Bach’s solo sonatas and partitas represents a significant milestone in Viktoria’s personal journey into this music. The recording received 5-star reviews from all over the world and she has embarked on an international several season-long, series of solo Bach recitals.

 

Her ventures into creative contemporary music started in 2000 with her album “Through the Looking Glass” in which she played world, jazz and pop music arranged for her by Matthew Barley. This exploration continued with her second album ‘The Peasant Girl’ which she has toured around the world with the Matthew Barley ensemble. This project shows a different side to Viktoria as she looks to her peasant roots in Ukraine and explores the influence of gypsy music on the classical and jazz genres in the 20th Century. Her most recent project, “Stradivarius in Rio” is inspired by her love of Brazilian songs by composers such as Antonio Carlos Jobim, Caetano Veloso, and Claudio Nucci. A CD of the same name has been enthusiastically received and she is now presenting the project in planned concerts throughout Europe. As well as her own projects, she has also commissioned works from young composers such as Fraser Trainer, Thomas Larcher and Dai Fujikura.

 

This rich musical diversity has been celebrated in several high-profile residences, including London’s Southbank, Vienna’s Konzerthaus, the Auditorium du Louvre in Paris, Musikfest Bremen, Barcelona Symphony Orchestra and Helsinki Music Festival.

 

 

J S Bach: Allamanda and Double from Partita No 1 in b minor, BWV 1002

Dai Fujikura: ‘line by line’ for Solo Violin (2013)

J S Bach: Largo and Allegro from Sonata No 3 in C Major, BWV 1005

George Benjamin: Three Miniatures for Solo Violin (2001)

J S Bach: Tempo di Borea and Double from Partita No 1 in b minor, BWV 1002

Misha Mullov-Abbado: Brazil

J S Bach: Siciliana and Presto from Sonata No 1 in g minor, BWV 1001

Sergio Prokofiev: Sonata for Solo violin in D Major, Op.115

J S Bach: Ciaconna from Partita No 2 in d minor, BWV 1004

played on Violins: ‘Jules Falk’ 1723 Stradivarius (modern strings) and Guadagnini (gut strings).