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👉 Free admission for children below 1.3 m (Accompanied by adult) 

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👉 Please cooperate with temperature measurement (not exceeding 37.3°C)  and wear a mask during the exhibition

Excursion boats on the Seine 1949

(C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

In the early post-war period of France's economic difficulties, Willy Ronnie's black-and-white photography captured a large number of moments in the daily life of ordinary people in Paris, full of humor and wit, but also fixed the traces of urban changes and social changes. The exhibition will launch a movement for simple joy and pure empathy for the everyday and the things around us, through the appreciation of everyday anecdotes captured by Willy Ronnie in his 70-plus years of creative career. In the post-epidemic era of "excessive functionality and insufficient ecological quality", people need to regain their benevolence and faith in life itself more than ever. Willy Ronnie's humanist photography is an excellent testimony to build social context and connect situational relationships.

RER Station Châtelet-Les Halles, Paris 1979

(C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

Willy Ronnie expresses the romantic nostalgic aesthetics of Paris with poetic lens language, and at the same time condenses the momentary reality into eternity, and rubbings become documentary materials that retain historical traces. The exhibition draws on the fugue, which is very inspiring to the structure of Willy Ronnie's polyphonic art creation, as a field clue, and outlines the subject consciousness and formal organization into a superimposed state. Through the narrative process of humanistic photography, the exhibition is divided into four sections: anecdote, parody, tenderness, and fantasy, and historical records and momentary experiences are regarded as an eternal and common process, so that encounters and exchanges are intertwined in time and space resonance effect.

Bastille lovers 1957

(C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

Willy Ronny was born in Paris on August 14, 1910. He is a French national treasure photography master, the founder of humanistic photography art, and an international photographer with the same reputation as Robert Capa and Cartier-Bresson in the 20th century. Master figure. Ronnie has been engaged in photography for nearly half a century, specializing in photographing the daily life of the French people, especially the citizens of the capital Paris. Ronnie died in Paris on September 12, 2009, at the age of 99.

At the time of his death, French politicians expressed their condolences. President Sarkozy said that Ronnie used the camera in his hand to "keep forever the poetic France that belongs to the people" for generation after generation of French people. Prime Minister Fillon also praised Ronnie " He is the most important witness of the 20th century."

Selfie with flash 1951

(C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

Willy Ronnie has won numerous awards throughout his life, including the National Photographic Art Award, Nada Award, Kodak Award, Venice Biennale Gold Award, New York Lucy Lifetime Achievement Award, etc. issued by the French Ministry of Culture. He is also an honorary doctorate of the University of Warwick, UK. Member of the Royal Society of Photographers of Great Britain.

Junction Café on Henri Chevroux and Gouhorn Streets 1948

 (C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

Willy Ronnie's exhibitions have traveled all over Paris, New York, Berlin, London, Moscow, Israel, Switzerland, Italy, Japan and other places. All of his original negatives are collected by the National Historic Monuments, Buildings and Video Multimedia Museum affiliated to the French Ministry of Culture as French cultural heritage. More than 40 monographs have been published on the research of his works. After his death, his works were included. Major museums, including the Pidou Art Center, are vying for collections.

The works in this exhibition are all from the French National Historic Monuments and Image Multimedia Museum (MPP), and are also strongly supported by the French National Federation of Museums-Grand Palais Photography Center (L'Agence Photo RMN-G).

Provence Nudes 1949

 (C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

Bomeng Culture and Powerlong Art Museum introduced the Willy Ronnie Photography Exhibition to Shanghai for the first time, allowing audiences in Shanghai to closely appreciate the daily life of people in Paris, France, in the 20th century, and even compare it with the life in Shanghai in the last century. It can also let photography enthusiasts learn about the photography skills of masters. The exhibition signatures of some of the key works fully translate Villironi's own comments on the shooting works, including reasons, impressions and techniques used.

Little Parisians 1952

(C) RMN - Gestion droit d'auteur Willy Ronis Localisation : Charenton-le-Pont, Médiathèque du patrimoine et de la photographie  Photo (C) Ministère de la Culture - Médiathèque du patrimoine et de la photographie, Dist. RMN-Grand Palais / Willy Ronis

The organizers of the exhibition, Bomeng Culture and Kouwen Art, used the interactive presentation of new media to interact with the works for the first time, expressing their lofty tribute to the artist, and received strong support from the new media of Xiangqu Engine. At the same time, it has also received strong support from Dassel Hahnemüller Art Paper, which was founded in 1584 in Germany.

Hahnemühle's most classic Photo Rag® photographic cotton® art paper used in the exhibition has a top reputation in the photography industry. The French/French Enterprise Center Collaborative Exhibition also gave strong support.