‘Ardhi Engl's music is wide-ranging: experimental music, jazz, classical music, improvised music or pure sound research. As a musical accompanist, he has toured the country with Gerhard Polt. He has no fear of contact, because his music is nameless in a positive sense, or to put it another way: he invents ‘pigeonholes’ that don't exist and shouldn't exist at all. In addition to the guitar - which he studied classically at the Richard Strauss Conservatory in Munich - he usually uses self-made instruments, and no material, no thing is safe from him, no sound is unthinkable for him. Ardhi Engl writes and performs for contemporary dance and theatre. Through his presence he is music theatre personified, he merges with the stage, he is a ‘music dancer’ and ‘music actor’. He expands his more recent works for the stage with ‘handmade’ videos, played live on the computer in parallel, in addition to musical instruments - music for the eyes. Ardhi Engl's inventiveness, the resulting sounds and musical forms are almost infinite. His sound spaces hint at the infinity of the world.’